James Duncan: Art correspondent for The Illustrated London News - McCord Stewart Museum
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James Duncan: Art correspondent for The Illustrated London News

McCord Stewart Discoveries

March 22, 2024

Presentation in French by Christian Vachon, Head, Collections Management and Curator, Documentary Art.

James Duncan was responsible for half of the images of Montreal published by the prestigious London magazine in the 1850s. By the mid-19th century, advances in communications were profoundly transforming the way Montrealers interacted with the rest of the world. As a man of his time, Duncan understood this reality and put it to good use.

  • James Duncan, <em>Curling Match at Montreal</em>, February 17, 1855, front page published in <em>The Illustrated London News</em>. Gift of Charles P. deVolpi, M977.164.1, McCord Stewart Museum
  • James Duncan, <em>Curling Match at Montreal</em>, February 17, 1855, wood engraving published in <em>The Illustrated London News</em>. Gift of Charles P. deVolpi, M977.164.1, McCord Stewart Museum
  • James Duncan, <em>Burning of Hayes House, Dalhousie Square, Montreal</em>, 1852, oil on wood. Gift of David Ross McCord, M310, McCord Stewart Museum
  • James Duncan, <em>Great Fire at Montreal. Dalhousie Square, Hay’s House, etc.</em>, August 7, 1852, wood engraving published in <em>The Illustrated London News</em>. Gift of Edith Milburn Ross, M21990.21.89.1, McCord Stewart Museum
  • James Duncan, <em>Bonsecours Market Scene in Winter</em>, 1850–1860, oil on wood. Gift of David Ross McCord, M316, McCord Stewart Museum
  • James Duncan, <em>Montreal Market: Habitants Purchasing Cloth</em>, March 19, 1859, wood engraving published in <em>The Illustrated London News</em>. Gift of Charles P. deVolpi, M975.62.653.1, McCord Stewart Museum

 

 

McCord Stewart Discoveries

In the McCord Stewart Discoveries, the Museum’s experts present the research projects they’ve been working on and share their recent discoveries related to the Museum’s collections and archives. The event is geared towards an academic audience as well as anyone interested in history and archives, museum studies, or material culture.

  • The talks will take place in French or English
  • Series of talks presented on Friday, March 22, 2024