A workshop that gives marginalized communities a voice - McCord Stewart Museum
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Workshop at CARI Saint-Laurent, November 11, 2022 © Thibault Caron

A workshop that gives marginalized communities a voice

Looking after our stories in Montréal/Tiohtiá:ke spotlights the marginalized histories of Montreal's Chinese, Black and Indigenous communities.

Shanna Aristil, Freelance journalist

November 29, 2022

Though Montreal’s Chinese, Black and Indigenous communities have been around for centuries, their histories are rarely told. To help change this, the McCord Stewart Museum joined forces with Je suis Montréal, a group whose goal is to bring forward those who have been historically excluded and often forgotten by organizing art projects and panel discussions on a variety of themes such as social inclusion, engagement, identity, and belonging. Together, they created and jointly led a citizen-centred workshop, Looking after our stories in Montréal/Tiohtiá:ke, in various areas of Montreal.

Recognizing the need to shine a light on these communities who have contributed to the development of our city, the Museum’s Education, Community Engagement and Cultural Programs team and that of Je suis Montréal met with immigrants and new arrivals to offer them an opportunity to regain ownership of these histories and talk about them.

Animation by Joanna Abrahamowicz, McCord Stewart Museum
Workshop at CARI Saint-Laurent, November 11, 2022 © Thibault Caron

From September to November 2022, members of the Education team and Je suis Montréal staff met with 18 groups in various Montreal boroughs, including Saint-Laurent, Ahuntsic-Cartierville, Montreal-North, Pierrefonds and Park Extension. During these workshops, they familiarized participants with images from the McCord Stewart Museum’s collection that illustrate some of the history of the city’s Black, Indigenous and Chinese communities.

On November 11, one such workshop was held at CARI St-Laurent, a local organization that provides services to immigrants. Twenty-five immigrant or newly arrived women had agreed to take part. The activity began with a short survey: “How much do you know about the history of Montreal’s Black communities: nothing, a little, quite a bit, or a lot?” The same question was then asked regarding the city’s Indigenous and Chinese communities.

Animation by Clara Chouinard, McCord Stewart Museum
Workshop at CARI Saint-Laurent, November 11, 2022 © Thibault Caron
Animation by David Brassard, McCord Stewart Museum and Taïna Mueth, Je suis Montréal
Workshop at Singa Québec, November 4, 2022 © Razan Elkhatib
Animation by Marianne Connell, McCord Stewart Museum and Tahnee Duquette, Je suis Montréal
Montreal Women's Centre, October 6, 2022 © Noémie Letu

Those in attendance quickly realized that little is known about the histories of these communities, especially in comparison to the colonial history of Montreal. And yet, these histories are equally important. Their curiosity piqued, participants became engaged and wanted to learn more.

The workshop leaders presented three blow-ups of photographs dating from the 19th and 20th centuries: a photo of Montreal’s Old Port, one of Mount Royal and one of Chinatown. The common thread in these images is that each one depicts a location that played a key role in the history of one of these communities.

Wm. Notman & Son, McGill University Campus, Montreal, about 1918. VIEW-6421, McCord Stewart Museum
Photographer unknwon, Chinatown, De La Gauchetière Street Looking West from Clark Street, Montreal, about 1965. Gift of Gilbert Lee, M2008.104.1.21, McCord Stewart Museum
Alexander Henderson, Skating Rink, Montreal Harbour, about 1876. Gift of E. Dorothy Benson, MP-1968.31.1.64, McCord Stewart Museum

Everyone was then invited to share their personal connection with each place. Once again, the energy changed. The room was full of emotion as each participant recounted a firsthand experience with these historic sites, an exercise that enhanced their sense of belonging to Montreal. Though originally from the four corners of the earth, the women could all identify with these places that have marked the history of Montreal.

The next part of the activity was hands-on. The blown-up photographs provided a background for an opportunity to get creative. Participants were asked to work in small groups and rewrite history in pictures.

Workshop at CARI Saint-Laurent, November 11, 2022 © Thibault Caron
Workshop at Montreal Women's Centre, October 6, 2022 © Noémie Letu
Workshop at CARI Saint-Laurent, November 11, 2022 © Thibault Caron
Workshop at Montreal Women's Centre, October 6, 2022 © Noémie Letu

With the help of a bank of magnetic images taken from the Museum’s collection, a stack of cards listing little-known historical facts, and a rainbow of coloured pencils, participants incorporated marginalized stories into the urban views of 19th– and 20th-century Montreal.

Workshop at Montreal Women's Centre, October 6, 2022 © Noémie Letu

Once the collages were finished, participants shared what they had learned, thus showcasing the forgotten heroes and stories of Indigenous, Black, and Chinese communities.

Workshop at CARI Saint-Laurent, November 11, 2022 © Thibault Caron

Looking after our stories in Montréal/Tiohtiá:ke is a workshop that enables people of all colours and cultures to reinterpret the Museum’s collections and discover or rediscover the marginalized stories contained therein. At the end of the activity, the workshop leaders repeated the survey from the beginning of the session, and the results were impressive: everyone had learned something about these histories and there was a palpable enthusiasm and sense of pride in the room.

The Looking after our stories in Montréal/Tiohtiá:ke project is carried out as part of the agreement between the Ministère de l’Immigration, de la Francisation et de l’Intégration and the City of Montréal (MIFI-Ville 2021-2024). 

About the author

Shanna Aristil, Freelance journalist

Shanna Aristil, Freelance journalist

Writing has always been Shanna's chosen art form for creating bridges between communities. She began her career as a writer working with local and community businesses. Today, she is involved in a variety of projects and initiatives. Her goal is to highlight cultures from around the world.
Writing has always been Shanna's chosen art form for creating bridges between communities. She began her career as a writer working with local and community businesses. Today, she is involved in a variety of projects and initiatives. Her goal is to highlight cultures from around the world.